Utility Mixers

Mackie 1202-VLZ Pro

Look no further than the affordable Mackie 1202-VLZ Pro mixer for all your mixing needs. This feature packed compact mixer includes 4 precision-engineered XDR premium studio grade mic preamps with a 0 -60dB gain range and a 130 dB dynamic range,

6 high-headroom line inputs, and a 3-band active EQ. This mixer offers excellent RF rejection with the advanced DC pulse transformer and mix-down is easy with the Control Room/ Phones multi-input source matrix. Like its big brothers, the 1402 and the 1604, the Mackie 1202 is ruggedly constructed of steel, has sealed rotary controls and a built-in power supply. Whether you are using it for your main board or as an effects submixer, you’ll get lots of “bang for your bucks” with this Mackie product!

1202-VLZ Pro

60MD1202VLZPRO

MFR LIST

$489.00

Call 1-800-732-7665 for Bradley price

Mackie 1402-VLZ Pro

The Mackie 1402-VLZ Pro mixer has the same legendary features as its predecessor, the MS 1402-VLZ, with even higher headroom and lower noise. Features include 6 new XDR (extended dynamic range) studio grade mic preamps, 8 high-headroom line inputs, 60mm long-wearing log-taper faders, and a 3-band active EQ. The Control Room/Phones source matrix makes mixdown routing a snap. Effects and cue mixes are handled by two auxiliary sends, one pre-fader and two post-fader. With the advanced DC pulse transformer, this mixer offers the best RF rejection of any mixer available. The rugged steel chassis has sealed rotary controls and a built-in power supply adding to its ease of operation. The versatility of this product makes it prefect for a wide range of applications, including live club performance, video post-production, home studio and multimedia.

1402-VLZ Pro

60MD1402VLZPRO

MFR LIST

$659.00

Call 1-800-732-7665 for Bradley price

Mackie 1604-VLZ Pro

Could Mackie make a good mixer even better? You bet! Characteristics formerly found on high-end mic preamps can now be found on the innovative Mackie 1604-VLZ Pro mixer at an affordable price. Featuring 16 precision-engineered XDR premium studio grade mic preamps with an ultra-wide 0-60dB gain range and a 130dB dynamic range, this updated version of the CR-1604VLZ also includes 60mm long-wearing logarithmic-tape faders. A 3-band active EQ with sweepable mid-range provides maximum control and flexibility. Inputs feature switchable phantom power for use with condenser microphones. Effects and cue mixes are handled nicely with six auxiliary sends per channel with a 15dB gain above unity.

The rugged steel main chassis has a built-in power supply and a rack mount kit included. Mackie product brochures are among the most informative in the business. Ask your Bradley professional to send you information on the Mackie board of your choice.

1604-VLZ Pro	60MD1604VLZPRO	MFR LIST	$1299.00
Roto Pod	60MDRP1604VLZ	MFR LIST	$25.00

Call 1-800-732-7665 for Bradley price

Mackie Mixer Bags

If your mixer moves as much as you do, carry it correctly in a stylish and nearly indestructible mixer tote made just for your Mackie 1202VLZ, 1402VLZ and 1604VLZ. High-impact, high-density rigid internal foam offers superior drop protection. Choose from black nylon fabric or black suede-like stuff.

Black Nylon Fabric	60MD1202VLZD	MFR LIST	$39.99
Black Nylon Fabric	60MD1402VLZD	MFR LIST	$49.99
Black Nylon Fabric	60MD1604VLZD	MFR LIST	$59.99

Call 1-800-732-7665 for Bradley price

Ashly’s rackable audio mixers have a five-year warranty so you can install them with confidence in studios, remote vehicles, or meeting rooms. The MX-508 is an eight input, stereo output mixer, with low noise and distortion. Each input has XLR mic and 1/4" TRS line connections, level trim with clipping indicator, three-band EQ with sweepable mid, two aux sends, and channel patching. The mixer also has a stereo input on RCA jacks for a tape player or CD.Phantom power is available for the mic inputs. Ports include a stereo, +24dBm transformer balanced output on XLR’s, a balanced stereo output on 1/4" TRS, an independent mono output, a tape output on RCA jacks, and headphone. The master section has pre-master sub in/out patches, two aux sends and returns, and LED metering. For ease of service, this three-space mixer is modular from the rear. A Bradley Best Seller.

LX-308: An eight-channel line mixer with stereo, unbalanced, line level inputs and outputs.

The SM-26B is unusual because it does so much. First, it’s a six-to-two, line level mixer, accepting six balanced or unbalanced line inputs which are applied to six Level and Pan controls. An added master stereo input brings the total inputs to eight. The mix is sent to left and right output jacks.

The unit is also a splitter: it can take one or two line level inputs, and split these to any of the six mono outputs on the rear. In this mode you can control the level from each input bus to each output.It is also a six in, six out buffer amp, and a -10 to +4 shifter. The SM-26B may also be used in a combination of modes. One example: inputs 1 through 3 are mixed to the left and/or right output busses, while outputs 4 and 5 are delivering signal originally applied to the left and right master inputs, and output 6 is driven from input 6 straight through. All ins and outs are 1/4" TRS active balanced. Sorry, it won’t do windows.

U.S. Audio Rack Mount Mixers

Designed and built in the U.S. by Whirlwind, these mixers are available in a version to answer any thorny problem.

The MIX-5S is an all-purpose mixer for sound contracting and similar work. It’s a single-space, five-input device with four input channels (each with XLR and 1/4" TRS balanced connectors for mic or line), LED level indication, phantom power, pan, and an aux channel with RCA for a tuner or CD player. The outputs are XLR and 1/4" TRS. The MIX-5 is the popular mono version and a notable value.

The MIX-6 is a broadcast-quality mixer in one rack space. Inputs 1-4 and the stereo outputs are capable of any combo of line- or mic-level, XLR or 1/4" balanced or unbalanced signal. Input 5 is a stereo RCA pair, input 6 is a stereo 1/4" pair (balanced or unbalanced). This last input is switchable to take it off the output and patch it to the headphone for solo monitoring. This unit has a switchable stereo limiter, phantom power, and internal power supply.

MIX-8 provides eight stereo line level inputs, with headphone monitoring, stereo aux sends on inputs 1-4, and pans on inputs 5-8. Each channel has volume control; output level is set with a single stereo master pot. A foot-switchable circuit can mute the main outputs and allow monitoring of the main mix. A clip LED indicates overload.

MIX-44 is an unusual, two-space device that lets you create four discrete mixes from four separate inputs. It takes four separate balanced line-level inputs, and applies them to four mixer sections where they are combined through volume controls to four output mixes.

Call for the specs on this useful matrix mixer.

MIX-5 Mono	60WHMIX5	MFR LIST	$399.00
MIX-5 Stereo	60WHMIX5S	MFR LIST	$499.00
MIX-6 Stereo	60WHMIX6	MFR LIST	$1,012.00
MIX-8 Stereo	60WHMIX8	MFR LIST	$645.00
MIX-44 Matrix	60WHMIX44	MFR LIST	$1,125.00

Call 1-800-732-7665 for Bradley price

With Nanoamp mixers, you can configure your setup as it suits you. The MX100 is a three-input mic/line mixer, while its companion XP100 is a four-input expander. Inputs and outputs are XLR. The expander comes with DC and audio connection cables.

Features include independent level sets, master gain, adjustable headphone output, phantom mic power, balanced inputs, and metered output for balanced or unbalanced lines.

Order the AC/DC wall supply separately. An optional external battery pack runs an MX100 for three hours. Install Nanoamps in a rack with optional hardware, up to three across; various rack and desk mount kits are available.

The Samson MDR 8 is an eight channel professional stereo mixer with built-in 24-bit DSP. It can handle up to either eight line ins, four mics and two stereo line ins or six mics all with high quality mic preamps.

The AT-MX351 Smartmixer from Audio Technica delivers 5 channels of auto-switching performance. Complete with automatic threshold adjustments as well as a single AUX IN to accommodate tape or other line inputs, the Smartmixer features individually switched 48V phantom power as well as selectable limiting to prevent overloads. Other features included are: balanced inputs and outputs, pre or post controller outputs from mic/line channels, D-sub connector for TTL output, closure control input, NOMA operation, manual override, priority pre-select switch and headphone output.

The new Rane MLM 103 Mic/Line mixer features six balanced, studio-grade microphone inputs and two balanced, stereo line-level inputs. The microphone preamplifiers feature direct outputs. These can monitor the signal 'pre' or 'post' the mix Level control via rear panel switches. Each microphone and stereo line input features three-band EQ and mix level controls. Input overload indicators are peak detecting and illuminate 4 dB before clipping. Three balanced outputs are provided. A and B outputs may be used as a stereo pair in a single zone or as two independent mono zones. The AUX output is mono. All connections are via Euroblock connectors. The MLM 103 features an internal high efficiency, universal voltage power supply.

MX100-XLR Mic/Line Mixer	60AIMX100XLR	MFR LIST	$399.00
XP100-XLR Expander	60AIXP100XLR	MFR LIST	$299.00
WA100-1 AC/DC Wall Supply for above (sold separately)	60AIWA1001	MFR LIST	$13.00
BBU100-1 Battery Pack (takes four 9V)	60AIBBU1001	MFR LIST	$99.00
Single Unit Rack Mount	60AI20604501	MFR LIST	$22.00
Double Unit Rack Mount	60AI20604502	MFR LIST	$25.00
Triple Unit Rack Mount	60AI20604503	MFR LIST	$30.00