Audio-Technica Phantom Power Supplies

AT8801 single-channel 48V DC Phantom Power Supply

Whether you need phantom power for one microphone or more Audio-Technica has you covered. These line-powered devices allow the use of remote-powered microphones with systems that do not supply phantom power. Each unit features a highly regulated power supply, which provides a constant voltage source, even with a heavily loaded input. The regulator IC is internally protected to prevent overheating or damage even if shorted. The rugged steel case is finished in enamel and provides shielding from electrostatic interference. 

CP8506 Four-channel 48V DC Phantom Power Supply                                  

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Rolls PB23 & PB223 Phantom Power Adapters

The PB23 and PB223 provide the clean, efficient power that condenser microphones require.  Both units offer a DC loop through jack for powering another identical unit.  The PB223 has two adapters in one box.

Whirlwind MicPower

The Whirlwind MicPower is a portable Phantom Power Supply for use with most electret condenser microphones. The unit supplies +12-18Vdc under nominal loads at the microphone input, and the output of the unit is AC coupled. Operating on two 9-volt batteries, the Micpower is ultra-portable and easy to keep powered up with up to 50 hours of up time using regular alkaline batteries.  A sensing circuit with an LED indicator lets you know how much power is left.

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Raxxess Stop-It

Some of our fine mics come with their own external filters, but for those that don’t, pick the Raxxess Stop-It filter. Eliminate the popping caused by hard consonants. Order just the screen, which comes with a sturdy stand mount, or choose the POMT package (not pictured) which includes a 6" Stop-It, gooseneck, and steel stand clamp.

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Audio-Technica Mic Combiner

This handy little device takes two low-z mic inputs and combines them into a single mic output. A balance control does the obvious. Perfect for those occasions that you wish would never come up, but do.

ATI Mic Preamps

The Ultimike is a small preamp that can mount near the audio source and has an unusually quiet, active balanced instrumentation-type input stage. Switchable limiter and low-cut filter are built in. Gain is adjustable, and a front jack gives 15dB of gain trim from a remote location with a 10K pot. Features include a phase reversing switch, 48V phantom, and XLR connectors.

The M1000 is a dual preamp for one stereo or two mono mics and has a transformer output.

Drive a pair of 600-ohm outputs from 50 to 250 ohm impedance mics. It uses XLR connectors. Call us for pricing on rack kits and versions of the M1000 with balanced differential outputs, and/or 48V phantom power.

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Aphex Model 1788 8-Channel Preamp

Microphones are designed to drive ideal impedance loads. When you drive long lines, splitters and multiple inputs, the impedance is lowered, destroying the frequency response of the mic. Plus, noise picked up on long cable runs no longer is amplified at the mixer because the gain has already been taken at stage. All live events and recording sessions demand monitoring of mic preamp gain. With the 1788, this can be done at the mixer, control room or wherever it is most convenient. Using MIDI protocol, up to sixteen 1788s (128 channels) can be controlled with one control line.

1788  Analog Mic Preamp-remote controlled, analog outputs; control software, 8 channel      

1788-1  Digital Output Module-AES/EBU, TDIF and ADAT Optical outputs, 8 channel.            

1788-R  Remote Control-Controls sixteen 1788s, 64 presets                 

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PreSonus BlueTUBE Mic Preamp

PreSonus introduces the BlueTUBE, a superior quality, stereo tube microphone / instrument preamplifier that speaks to anyone’s budget.  A true hybrid, the BlueTUBE blends the best of dual-servo solid-sate technology with a 12AX7 tube stage.

·Two XLR inputs and two High Z inputs

·48v phantom power for Condenser Microphones

·Both XLR and 1/4” outputs

·Two eight-segment LED meters

·External power supply

·Optional rack mount

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