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Titus
Technological Laboratories 3-DRX
The Titus
Technological Laboratories 3DRX is a digital audio repeater and
crosspoint switcher. The 3DRX has three inputs and one output. The
first two inputs are digital audio inputs. They can be either AES-3
balanced, XLR type inputs or AES-3ID BNC type inputs. They can also be
either terminating or bridging inputs allowing sampling of an existing
serial digital audio data channel. The third input to the 3DRX is a
stereo analog audio input. The serial digital output conforms to both
AES-3 and AES-3ID standards. The 3DRX can
automatically switch to the secondary digital input if the primary
digital source fails (loss of lock, data error, etc.) OR LOSS OF AUDIO
ON THE DIGITAL SIGNAL!. A tertiary stereo analog source can
automatically be switched to if the two stereo digital streams fail.
The user can select which sources are switched on-line and under what
conditions as well as select the time delay before actions. The stereo
analog inputs are digitized in the AES/EBU format at 24 bits and
either 32 kHz, 44.1 kHz or 48 kHz
sample rate (user selectable). Besides
operating automatically the 3DRX can also be controlled by remote
control allowing the user to select the active source remotely or from
the front panel push button controls in either a manual or an
automatic mode. The 3DRX can also be controlled by a RS232 link. The 3DRX is
designed to also be used as a digital serial audio repeater when used
in a "transparent" operating mode (AES in to AES out). The
digital signal in this mode is not decoded into analog but remains in
the digital domain. When the 3DRX is operating in this mode and
inserted into any digital serial audio cable run the length of the
cable can be effectively lengthened. This is an active repeater and
not simply a direct "hardwire switch" path and as such can
be used to effectively extend cable lengths. The 3DRX
operates up to 24 bit, 96 kHz stereo digital audio for all digital
inputs and outputs. In case of a power failure an internal direct
relay bypass is provided to connect the digital AES input number 1 to
the AES output bypassing the unit.
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SoundPals
DFADE-2
The
DFADE-2 from Graham-Patten is a two channel digital audio fader. Controling
the gain Dual
Channel Digital Fader 60GPDFADE2 MFR LIST $899.00 Call 1-800-732-7665 |
SoundPals
DATS Converter
Call
1-800-732-7665
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Excalibur
APA-1 All Purpose Amplifier Use it as a stereo line amp, 1 by 2 splitter, 2 to 1 summer,
mix-minus amp, level and impedance
interface, active phase inverter, or headphone amp. Summing, splitting,
matching, interfacing: the APA-1 does it all. The dip switches let you set it
quickly, and its clean audio puts it at home in the highest quality facilities.
Inputs and outputs are on Call 1-800-732-7665 for Your Best Bradley price
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Excalibur
IA-1 Interface Amplifier Use
the IA-1 to connect consumer type equipment to pro broadcast gear. It’s a
newly-improved two-way stereo box with unbalanced RCA jacks and balanced,
removable Euro-style wire capture blocks. I/O levels are adjustable. Rubber feet let you mount it on a flat
surface; angle brackets attach it to the wall or under a counter. The optional
rack mount puts one or two IA-1’s in a single RU. Power is via the attached,
UL-approved plug transformer. Use it
with DAT decks, workstations, ENG gear, and more. Response is DC-25kHz ±0.2dB,
with distortion better than 0.006% and common mode rejection of an impressive
75dB at 1kHz. It’s
DC coupled and uses no audio transformers. Phase, response, and RF rejection are
superior. As
always, Excalibur gives great audio for your money. Call 1-800-732-7665
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ATI Matchmaker
The Matchmaker performs exceptionally thanks to design features
including its transformer balanced outputs. It’s UL listed. Choose the rack kit to hold one
or two in 1RU. Call
1-800-732-7665
ATI Nanoamp Series Distribution Amplifiers DMA103 Microphone Distribution Amplifier. One microphone input to three servo balanced
line outputs @ +22dBm. Dip switch
selection of phantom power and preamp gain for high output microphones and line
level inputs. Master gain control and ATI DA103 Distribution Amplifier. One
line input to three servo balanced line outputs at +22dBm. Master gain control and Independent output
level trimmers. Individual two piece
quick change Phoenix type connectors, one set for each input and output. Stack
them or rack mount one, two or three in only 1-3/4 inches with optional rack
mounting kits. All units require 24VDC
power supply. Call 1-800-732-7665 for Your Best Bradley price
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ATI Encore Distribution Amps
The DA206 and DA412 offer six or twelve balanced outputs divided
among two or four independent, 1-in to 3-out channels. Internal jumper plugs
parallel inputs for 1x6, 2x6, or 1x12 operation. These DA’s have master input
controls plus programmable gain for various nominal inputs; output taper
controls are adjustable from +8 to -10dBm.
Max gain is 40dB. These models use XLR connectors. The DA208 and DA416 offer
eight or sixteen balanced outputs divided among two or four Call 1-800-732-7665 for Your Best Bradley price |
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This New Jersey company has been making quality audio products for
two decades, and their DA’s are among our most popular. Front panel independent
level adjusts, balanced bridging inputs, balanced low impedance outputs,
barrier strip connectors, and super low noise and distortion combine to make
them a sure fire investment. Response is within a tenth of a dB of 20Hz-20kHz, gain is up to +26dB without
pad, and distortion is below 0.01%.
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Symetrix Distribution Amplifier A one input, four output mono distribution amplifier. Use the 305
to route your most critical audio to four separate outputs. Sound contractors will
find the 305 essential for feeding multiple power amps. Broadcast engineers can
easily and inexpensively distribute satellite audio around their station with
the 305.
-Euroblock
terminal connectors for quick installation. -Precision
circuitry yields THD+Noise less than .009%. -Four-segment
LED input level meter. Individual trim pots for input and output volume
attenuation. Call 1-800-732-7665 for Your Best Bradley price |
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ATI
AES/EBU Digital Audio Distribution Amplifiers
ATI
Disc-Patcher
Call 1-800-732-7665 for Your Best Bradley price
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ATI NanoAmp Series Line/Mic/Summing Amps L200-XLR Dual Line Amplifier Ideal as a gain block (+28dB), buffer amplifier, impedance
converter and line driver. ML200 Dual Microphone to Line Amplifier Has servo-balanced line outputs +22dBm. Switch selection of phantom power and preamp gain for high output
microphones and line level inputs.
Optional battery packs and DC to DC converters for portability are also
available. SUM100 Summing Amplifier Is configured as a stereo to mono summing amplifier with up to
28dB gain available. Features screwdriver
independent input trim controls and a master output gain control. All units
have servo balanced line outputs +22dBm, flat frequency response, high balanced
XLR bridging inputs and low distortion balanced XLR outputs. Stack them or rack-mount one, two or three
in only 1-3/4 inches. All units require
24V DC power supply, which is ordered separately. Call 1-800-732-7665 for Your Best Bradley price
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ATI NanoAmp Series
bi-directional pro/consumer interface unit. BU400 is a four-channel unit; all balanced
to unbalanced. UB400 is a four-channel
unit converting 4 unbalanced inputs to balanced outs. Features RCA gold plated phono jacks to connect to the IHF world
(-10dBu) and rugged XLR rear mounted
connectors interfacing with the pro side (+4dBm) on all units. All units require separate power
supply. Rack mount and desk mount kits
are available as options. Call 1-800-732-7665 for Your Best Bradley price
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Rane DA 216A Distribution Amp
You say that you are seeing only ONE Rane DA 216A? Look closer.
Every DA 216A gives you double the distribution power of its predecessor-the FDA 28-running circles around it. And it doesn’t cost a penny more! The
DA 216A can be configured in an amazing number of ways. You want 1 input to 16
outputs? No problem! 1 stereo input to 8 stereo outputs? You’ve got it! 2 mixed
inputs to 16 outputs? It’s yours! 2 independent inputs to dual 8 mono outputs?
Whatever you want! The DA 216A features two predistribution
screwdriver-adjustable master level controls, with 16 screwdriver-adjustable
output level controls. Terminal strips on the rear handle the connections, with
balanced line level outputs while inputs are switchable between mic and line.
15 volt phantom power is switchable when the mic inputs are selected. Whenever
you need a distribution amp, get twice as much with the Rane DA 216A. Give us a
call. We’ll tell you all about it. Call 1-800-732-7665 for Your Best Bradley price
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Tascam Four Channel Interface Amp
Call 1-800-732-7665 for Your Best Bradley price
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Aphex 124A Audio Level Interface
IHF connectors are RCA; balanced I/O’s are
XLR. The
optional rack kit holds one or two units in a single rack space. Call 1-800-732-7665 for Your Best Bradley price
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Aphex 120A Distribution Amplifier The 120A boasts THD 0.002% at +4dBm and hum and noise better than -90dBm at unity gain. XLR I/O’s and
maximum RF shielding make it suitable for both studio and field. The 120 is a
half-rack DA with one input, four outputs with level controls, and one unity
gain direct output. Aphex publishes an aggressive response spec (5Hz to 100kHz,
+0, -0.5dB) which makes it suitable for critical applications, as well as
distributing SMPTE time code. The optional rack kit holds one or two in a
single RU. Call 1-800-732-7665 for Your Best Bradley price
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TFT Model 999 Digital Insertion Unit This unique device provides the capability to interrupt a digital
AES/EBU stream and insert another AES/EBU stream, or analog audio. The Model 999 contains an A-to-D converter
that senses the sample rate of the normal input, and digitizes and formats the
interrupt input at the appropriate rate for delivery to the output. It supports all popular sampling rates, and
provides seamless interruption without pops or clicks. Applications for the Model 999 include EAS
insertion, RPU insertion, expansion of digital console inputs, or STL
changeover between digital and analog systems.
Call 1-800-732-7665 for Your Best Bradley price
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Rolls RM81 MixMax
Call 1-800-732-7665 for Your Best Bradley price
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ATI offers more flavors than an ice cream truck. Their
distribution amplifiers are available in so many configurations, you’re certain
to find one to solve your specific wiring problem. We like the Encore Series,
even more now that ATI offers versions with XLR’s.
AES/EBU Digital Audio Distribution Amplifiers in single and dual
input configurations are optimized for either balanced 110-ohm XLR or 75 ohm
BNC coax outputs.
The DP100 is a one-way level/impedance interface with UL listing.
It rejects common mode interference, which is important in high RF
environments. The Disc-Patcher offers 102dB dynamic range, flat (20-20kHz,±0.25dB) frequency response, and
0.005% THD. A Velcro mount is supplied. Great for CD players. (Ask about the
P-1000 turntable amp.)
Like other audio interfaces, the LA-40 MKII lets you use balanced
XLR equipment with unbalanced RCA gear. Unlike others, this rackable unit
offers four channels in each direction.All I/O connectors are located on the
back panel. Ground lift switches for each channel and a universal “all-lift”
minimize unwanted noise. Front-panel dials let you fine tune the amplification
by ±6dB. Under the chassis, switches toggle between +4 and -20dBm nominal outputs. The LA-40 MKII lets you assign the signal
of a single input to multiple outputs. Flip one switch to assign it to all the
channels above it (assuming they are of the same I/O conversion type).
Match
‘em, Dan-o. The Aphex 124A is a two-way buffer that lets you connect -10dBV
semi-pro and consumer audio products with +4 or +8dBm pro systems. It allows
both to operate at their best by matching impedances and operating levels.
Inputs and outputs are transformerless for wide, flat frequency response and
perfect square waves to preserve transients. Hum and noise rejection are high,
while noise and distortion are almost non-existent. A switchable 600 ohm load
allows input line termination.
The RM81
mixes eight XLR or 1/4" inputs to a single, balanced 1/4" TRS output.
Perfect for boardrooms, small clubs, schools or churches, the unit is compact
yet easy to operate. Each 1/4" input may be internally jumpered, converting
it into a Direct Output. This makes each microphone input available for
monitoring and recording.