Sony Lavaliers

Our customers choose Sony condenser lavs above all others. These mics ignore unwanted noise and give you the convenience of battery operation.  The ECM-77B, a mere 1.5 grams, is Sony’s tiniest lavalier, an unobtrusive,high performance omni with the best bandwidth of the four. The popular ECM-55Bhas an omni pattern and is recommended for the widest applications. The ECM-66B has a uni pattern ideal for musical instruments.

The economical ECM-44B is omnidirectional;  it includes a foam windscreen, while the other models include a metal mesh. All versions are matte black; all conveniently take “AA” cells; all but the 44B accept 48V phantom. Case and clips included. Also available: unterminated versions for wireless systems.

Also available: Colored windscreens, and holder-clip styles including double mic, pencil or safety-pin type, tiepin and necklace types. Call us for assistance.

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Shure SM11 Lavalier

Pick this mic when you want a lavalier that doesn’t require powering. Get small with the SM11, a tiny dynamic lav with optimized response, natural sound quality and Shure toughness. You also get a lavalier cord, tie bar, and tie tack.        

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Shure MX Series Lavaliers

The MX184 supercardioid condenser lav solves problems of extraneous sound and gain-before-feedback, so pick it for talk shows and other noisy environments. The cardioid MX185 provides an intermediate pattern for directional use. For less complex applications, the omni MX183 is an excellent choice. All have a frequency response dip at 730Hz that minimizes the “chest resonance” effect; and include tie clip, cable, and MX1BP preamp. 

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Audio-Technica AT831 Lavalier

It’s a mini unidirectional condenser, best where feedback or room noise is a problem, and excellent for music instruments. Choose from two versions. 

AT831R 9-52V Phantom Power Only, with 25' Cable,                       

AT831b Takes Phantom and “AA” Cell, with 6' Cable,      

Audio-Technica AT895

When you need to capture the subtlety of an individual sound, Audio-Technica brings a new standard in audio acquisition, the AT895 Adaptive Array.   The AT895 incorporates a revolutionary DSP-controlled five-element microphone array that provides adaptive directional audio acquisition perfect for handheld interview use or long-range sound pickup in the field, in the studio, or in security operations. 

Utilizing Audio-Technica’s proprietary DeltaBeam technology, the AT895 System manipulates and filters the output of the array by acoustical, analog and digital means. This process enhances the pickup of a sound source from a desired direction relative to unwanted background noise or interference, providing cancellation of up to 80 dB. Background interference, mechanical noise, wind noise, proximity effect-all are minimized automatically. And, unlike some attempts at directive devices, the audio quality remains wideband and natural.  Two components are at the heart of every AT895 System: the AT895 Microphone and the AT895CP control pack.

The AT895 Microphone itself is all analog, housing one Audio-Technica MicroLine¨ element, four A-T cardioid elements mounted in a co-planar diamond configuration, and five mic preamps. The five amplified analog signals from the microphone elements are sent individually down a special detachable cable to the AT895CP Control Pack.  The AT895CP Control Pack provides all the power, Digital Signal Processing, and control for the AT895. Output from the Control Pack is analog at mic-level (-23dBV). The lightweight, sturdy metal housing accepts a quick-change, click-on battery housing for totally self-contained operation, if desired. The Control Pack also operates on external 12-14VDC-from an Anton/Bauer or similar-type battery source, or from an AC adapter-via an industry-standard 4-pin XLR-type connection. The AT895 is available as the AT895/RK “Remote Kit” for field use, and as the AT895/MK “Mount Kit” for studio and fixed-install applications. Call Bradley to discuss your particular application.

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Crown GLM Series

Looking for that perfect microphone for instrument use?  Look no further!  Crown’s GLM-100 miniature omnidirectional microphone has exceptionally wide, smooth frequency response specifically designed for musical instrument applications.  An 8' cable with a male XLR connector is permanently attached and comes with the GLM-UM universal mount, GLM-WS2 windscreen and the GLM-TB tie bar.  Order the GML-100/E, omnidirectional molded mic capsule, for use with

wireless microphone transmitters.   Need a hypercardioid mic instead?  The GLM-200 is the mic to choose.  All three require 12-48V phantom power.

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Audio-Technica AT849

The brand new AT849 is an x/y stereo condenser boundary microphone with full mono capability intended primarily for surface-mount applications. Frequency response is even and peak-free over an extended 30Hz to 20,000Hz range. Also included is a soft carrying pouch and a 25' shielded cable featuring a five-pin TA5F input connector and two standard three-pin XLRM-type output connectors. It requires 9V to 52V DC phantom power (not included). The AT849 provides full, natural stereo ambience for applications in sound reinforcement, broadcasting and recording.

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Audio-Technica AT854R 

This multi-channel boundary microphone has four cardioid condenser elements mounted in a single housing. The AT854R is ideal for high-quality sound reinforcement as well as a variety of video and audio conferencing applications. The four channels are mounted in quadrants and are separate and independent. They can be powered and used individually or in any combination. Included is a 30' 9.1m) cable with a miniature multi-contact metal-body plug. Its output end has four XLRM-type connectors for plugging into a mixer, allowing individual control of each channel. The AT854R requires a 9-52V DC phantom power for each

operating channel (not included).

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Crown Pressure Zone Microphones

Crown PZM mics use the pressure zone at an acoustic boundary, such as a floor or table surface, to eliminate distortion and comb filtering problems.

 (1) The PCC-160 is for stage floors, lecterns, and TV news desks. The large surface increases sensitivity and prevents phase problems; its supercardioid pattern minimizes background noise. Balanced low impedance output.

15' cable included.  Takes 12-48V phantom.          

(2) The PZM-185 with attached 8' cable, has a balanced low impedance output. This model is suited to broadcast production, conferences, and recording. It’s powered by an internal “N” cell or external phantom power.

The Sound Grabber (not pictured) is a very affordable, portable PZM powered by an “AA” cell.

It looks similar to the PZM-185 but has an unbalanced high-impedance output, 10' cable to 1/8" TS plug, and adapters for 1/4" TS phone and 3/32" TS applications. All models listed are black; the PCC-160 can also be ordered in white.

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Audio-Technica AT841a

For demanding surface-mounting situations, choose between omni and uni patterns of A-T’s condenser plate mics. Both are about 2.5" wide, both run on either “AA” cell or 5-52V phantom and come with 25' cable.

Audio-Technica UniPoint Series

UniPoints are a family of low profile specialty mics with great low frequency response and interchangeable heads for different patterns. They control feedback with exceptional rejection specs.

AT857

The 857AMa can mount on a mic stand or its own threaded surface mount adapter. It has an on/off/roll-off switch and can run on “AA” cell or phantom. Its brother, the 857QMa, plugs directly into a female XLR connector and operates only on phantom power. Roll-off switch. 

AT853a

Hang this one using the plastic coated, stainless steel hanger, or mount it on a stand adapter. It has an on/off/roll-off switch and can operate on “AA” cell or phantom.